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Using a Chinese calligraphy brush, I paint bone dry pots with under-glaze stains, which act like an ink wash or watercolors on the absorbent surface of the clay. I scratch and carve into the drawings, adding and removing details. The pin tool is both pencil and eraser, adding white to the drawing. I use wax to create motifs that are reminiscent of printed patterns.
I love the immediacy of the connection people make with images of animals. Pattern and color anchor my animals to the pots. They serve as frames, and backgrounds, so that the animals exist in their own narrow space around the pots.